Quote, artwork approval, purchasing, production, despatch, invoice and next season's reorder — one record that is never re-typed. For print shops, decorators and promo distributors. Set up in an afternoon from what you already make.
Scroll — each order stacks on the last.
Forty emails with spellings and sizes. A spreadsheet that's wrong the day it's sent. Chasing the last nine payments by hand.
A team store with a hard close. Each family orders and pays for themselves; the roster checks itself; 210 orders become one run, one PO and bags by class.
Numbers in a WhatsApp thread. A duplicate found at the press. A reprint at the shop's cost and a late kit.
The organiser fills the roster in the studio; duplicates and sizes are checked before a file exists; 22 mirrored print files and a CSV come from the approved proof.
Every order is an email to the shop and an email to finance. Nobody knows what's left in the budget until the invoice lands.
A company store with contract prices, cost-centre allowances and an approver who taps one link. Over the limit? Approve, decline or approve with fewer — with a reason.
The organiser fronts the money or the shop does. The total raised is a spreadsheet nobody trusts.
A campaign store with a goal bar donors can see, a per-product donation, and a payout settled automatically when the run closes.
Nobody can price a banner online. The banner is wider than the roll and someone finds out at the printer. Rush is a guess.
Buyer-sized products with bleed, keep-outs and cut paths; tiling with registration marks; a promise date from wide-format's real capacity; files to the Roland's hotfolder.
Four supplier catalogues in four tabs. EQP worked out by hand. A phone call to find out where the mugs are.
Live stock and prices through PromoStandards, end-quantity pricing applied, four POs raised from one quote, a free sample as an order type, status pushed to the buyer.
A configurable product that needs a phone call. 24 plate files made one by one in the design app.
Tint, base and plate configured on the product page; recipients entered as a roster; 24 inverted laser files, a bill of materials and an assembly routing — priced per minute.
Quote while they're on the phone. Contract prices apply themselves. Stores repeat every season. Lapsed customers are noticed.
The quote becomes the order. Proofs are signed records. POs come from demand. Every conversation is on the order's thread.
Agents draft quotes, POs and chases. Preflight runs on upload. Print files make themselves. A scan is the status update.
Apparel is where most shops start. The same engine prices, proofs and produces everything else your suppliers list — each product with its own areas, methods and pricing rule. The dashed shape is what the buyer can design on.
Fixed areas on a tee, a generated area on a banner, a cut path on a sticker, a wrap on a mug, zones on a kit, a price table on a card — one engine, one set of rules, presented the way each product needs.
Simple mode by default — Today · Sales · Production · Buying · Products · Studio · Storefront · Growth · Money · Reports. Everything advanced lives under "More".
Size run as a grid with 2XL upcharges, price breaks by quantity, the contract price applied by itself, live blank stock, margin shown as you type.
Art, sizes and prices are kept on the order. An anniversary trigger drafts the "same again?" a month before. Lapsed customers are noticed before they're gone.
A run with a hard close consolidates forty orders into one setup and one PO. The company portal has cost centres, allowances and an approver who taps one link.
The studio embeds on their product page; the computed line price is honoured at their checkout; status and tracking push back. Buyers never get a second login.
Discounts above the cap, rush requests, purchase holds, refunds, agent drafts — queued with the maths. Everything under your thresholds just runs.
Quote, acceptance, proof, PO, jobs, despatch, invoice and every message — on one record. The customer sees their side through a private link; staff see it all.
A proof is a signed record — who, when, which revision, on what device. Unanswered at 24 h: nudged. 72 h: nudged again and flagged at risk. 7 days: on hold, never cancelled. Three rounds free, then your charge applies.
Every PO line traces to the order line that caused it. Three jobs needing the same blank are one line. Hold two days to cross free carriage — the maths is shown. Partial receipts are normal and matched.
Deposits and balances, instalments, per-order tax override, dunning against terms, expenses per job so you see true profit, and a tax report by period, cash or accrual. Xero, QuickBooks, Sage, Tally, DATEV.
Every draft shows its reasoning and its numbers. Nothing is sent, ordered or published without a person — the same gate applies to staff without publish rights.
Board by state, calendar by date, load by work centre, timeline, live floor. Drag to reschedule and the promise recomputes. Hand-offs assigned by capability, capacity and fairness — with the reason stated.
A tablet app built for gloves: scan to claim, scan to move, log spoilage, check the proof against the piece. Progress derives from scans, weighted by minutes. Stalls show on Today.
One document in millimetres; one renderer for preview, proof and print. Separations per ink, gang and stacked sheets with cut contours, mirrored sublimation per piece with a CSV, imposed cards with marks — to the machine's hotfolder.
A four-colour job under 24 pieces, a mug, six hoodies to Texas. Eligibility is computed, economics is a landed-cost comparison per line, policy is yours. Preview the rule, then arm it.
A limit is a conversation, not a disabled button. The buyer is told why and offered a priced way forward — including a method switch.
Screen print gets its ink palette and no gradients; embroidery gets thread colours and a minimum text height; laser gets vector only. Compatibility is computed from measured asset properties — never a list an admin maintains.
Quick jobs: area strip, Text / Upload / Template / Art / Names, S/M/L/Fill, nine-point placement, live price. "Open in full studio" carries the design over. Same parts, one engine.
Stroke weight, text height, colour count and resolution at final size against the method's limits. Saved in millimetres, never pixels. Position, size and text exactly; colour within the printer's profile.
Layouts per product type, cut-safe fonts at 8 mm and up, a roster the organiser fills with checks for duplicates and sizes. Per-unit output files follow.
Bleed per method and material, safe zone, keep-outs for eyelets and hems, cut path — rectangle, rounded, circle or contour from the artwork — tiling when it's wider than the roll, DPI at final size.
A jersey's zones take a colour, a pattern or a gradient. A trophy has a tint, a base and an engraved plate with recipients. Options — collar, fabric, paper, lamination — reveal what they affect and price as one line.
Templates sit in the category bar with a "from" price and what can be changed. Choosing one opens the studio with only the products whose methods can print it — and says why the rest are hidden. Seasonal categories appear on dates.
Soft tint, focus ring, glow and brand text are computed so contrast always holds — a shop can pick yellow and nothing breaks. The studio and storefront carry the tenant's brand; the back office never changes under an operator.
Home with product tabs, category tiles, promo tiles, numbered steps and a USP strip; category pages with off-canvas filters; product pages with the mini designer; cart, checkout, order received and the proof step. Built with the same page builder you get.
Design it in minutes. Screen print, embroidery and full colour — from 1 piece.
Start designingThe studio saves one document in millimetres. One renderer makes the preview, the proof and every print file from it — and preflights each one before the floor sees it. Nobody opens Illustrator.
Every one of these is a workaround somewhere else — a size chart in Excel, a banner priced on the phone, a reorder rebuilt from scratch, an approval buried in email. Here they are the product.
Every apparel order is a size breakdown with upcharges. The quote grid is built around it.
Width × height from the buyer; bleed, keep-outs and tiling generated; priced per m².
Schools, clubs and companies get their price automatically. Accepted quotes never move.
Art, sizes and prices kept on the order; an anniversary trigger drafts the "same again?".
Who approved, when, which revision, on what device — and a clock on silence.
A store per school, club, company or event. Priced by orders, not by store count.
A line goes to a partner on cost, capability and capacity — with the maths shown.
Quotes, POs and chases drafted with their reasoning. Nothing publishes itself.
“Could we get twelve 2 × 1 m banners for the open day on the 14th? Same logo as last year.”
It reads the enquiry, drafts the quote from your price tables, writes the PO to the supplier that actually has stock, and chases the proof nobody answered.
It stops at every point where money or a promise is involved. Nothing leaves the building until you tap. Every draft shows its reasoning, so the new hire learns the way you price.
A1 makes the products and the print; everything you already use plugs into it. Stores keep selling, suppliers keep shipping, the books keep balancing — and every order lands in the same production plan.
Connected stores: the studio embeds, the computed line price is honoured at their checkout, status and tracking push back. Buyers never get a second login.
“We quoted a 60-polo job while the customer was still on the phone, with the 2XL upcharge already in. He said yes before I had put the kettle on. That used to be an evening job.”
“The leavers hoodie run used to be forty emails and a spreadsheet I did not trust. This year the parents ordered themselves, the roster checked itself, and I pressed one button to make it one job.”
“I stopped finding out about problems at five o’clock. A proof nobody answered, a job that stalled on the laser: it is on my phone before it is a problem, with what to do about it.”
Every rule in A1Printsoft was argued over by someone who has quoted a kit run at five o'clock, chased a proof for a week, or reordered blanks from the wrong supplier. The product reads like the trade because the team comes from it.
Ran a 12-press decorator for 19 years. Wrote the size-run grid the way the front desk actually quotes.
Fifteen years pricing banners by the metre. Owns the keep-outs, tiling and finishing rules.
Built purchasing for a supplier-network distributor. Every PO rule in A1 started on their whiteboard.
Twenty years building order and studio systems for this trade. Made the pieces talk to each other.
Ten years of customers, prices and artwork is why shops stay put. Here is what the first month looks like: your old system never stops, and you choose the day it does.
Customers, contract prices, products with price tables, artwork with approved proofs, orders with history and team stores. Counted and checked before you see it.
New work starts in A1Printsoft while open jobs finish where they began. Buyers keep the same store links. Nothing is re-typed in either direction.
When the last old job ships, switch the old system off. It stays read-only for as long as you want, and you can export everything at any time.
Apparel, signage, promo or all three. We preload the methods, products and price tables for your trade.
Customers, contract prices, artwork and orders arrive whole from your old system, or you start clean.
Quote, proof, accept. Jobs, print files and the supplier PO create themselves from the accepted record.
The floor scans the job card, the customer sees the status, and next season drafts itself a month early.
Every plan includes a number of orders; do more and we bill the difference, never stop you. Or skip the monthly fee and pay per order. Switch once a quarter — we always show what the other model would have cost.
Thirty minutes with someone from the trade. Bring a real quote from this week and we rebuild it live, with your prices, methods and sizes.
Not answered here? Write to us and a person from the shop-floor team replies within a working day.
One accepted and reaching production, from any source — web, phone, kiosk, portal or a connected store. Each buyer order in a team-store run counts as one; that's why the included numbers are generous, and why we'd rather bill overage than ever stop a leavers run. Cancelled before the first floor scan, or fully refunded in the period, is credited.
No. Tiers decide features; the model only decides how you pay. Switch once a quarter, effective next period; your billing page always shows what you'd have paid on the other model.
No. Mark the site as connected: they keep listing, cart, checkout and payment; we own product truth, methods, pricing rules, the studio, artwork, production and everything after the order. Team stores and the company portal run on our checkout because closing dates, rosters and payouts don't exist on those platforms.
At your first accepted order, not at sign-up — so you can set up at your own pace. No card. Fourteen days from that order, metered but not billed; the first invoice is one full period in your currency.
Three. From the fourth, your artwork charge applies automatically and the buyer sees it before submitting. Time waiting on the buyer beyond 24 hours moves the promise date day for day; your own revisions never do.
Regional residency, 35-day point-in-time backups, and an export of everything at any time. Your customers, artwork and prices are yours.




Free for 14 days · no card · pick what you make and we preload the methods, products and price tables.